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    <lastmod>2021-10-27</lastmod>
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      <image:title>Welcome - KQED video interview of Gerald</image:title>
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      <image:title>Choreography - Dwelling at ODC's Walking Distance Dance Festival, 2015 (excerpts)</image:title>
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      <image:title>Choreography - Cover Your Mouth When You Smile</image:title>
      <image:caption>Cover Your Mouth When You Smile (2018) Choreography and performance by Gerald Casel. Peiling Kao, and Na-ye Kim Original sound score performed live by Timothy Russell Lighting design by Aron Altmark Performed at ODC Theater, San Francisco, June 14, 2018</image:caption>
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      <image:title>Choreography - Taglish (2016)</image:title>
      <image:caption>Taglish Choreography by Gerald Casel Performed by Gerald Casel and Suzette Sagisi Live Sound Score by Tim Russell 'Taglish' (Tagalog/English) brings together Filipino and American elements in one space to represent what our bodies have been exposed to as dancers. Contending with the tensions between lineage, appropriation, bi-culturality, and representation, the dance asks whether it is possible to present the body adorned by and simultaneously devoid of its culture and history through performance. This dance was inspired by and is a response to Trisha Brown's 'Locus'. - Performed at Yerba Buena Center for the Arts as part of Hope Mohr's Bridge Project: Ten Artists Respond to Locus, with inspiration from Trisha Brown</image:caption>
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      <image:title>Choreography - Splinters in Our Ankles (2015)</image:title>
      <image:caption>Splinters in Our Ankles (premiere, Dec 19, 2015) ODC Theater, San Francisco, CA Choreography by Gerald Casel, in collaboration with the performers Performed by Arletta Anderson, Kristen Bell, Christina Briggs-Winslow, Rebecca Chaleff, Janet Collard,  Peiling Kao, Kevin Lopez, and Parker Murphy Original music performed live by Tim Russell Lighting and media design by Jack Beuttler Set design by Kate Edmunds Costumes (part 2) by Ellen Howes</image:caption>
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      <image:title>Choreography - Dwelling at ODC's Walking Distance Dance Festival, 2015 (excerpts)</image:title>
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      <image:title>Choreography - Visiter (experts) @Joe Goode Annex</image:title>
      <image:caption>Choreography by Gerald Casel Performed by Arletta Anderson, Gerald Casel, Rebecca Chaleff, Damara Vita Ganley, Peiling Kao, Molly Katzman, Steven Moses, Nicholas Stettenbenz Live music by Tim Russell Lighting and visual design by Jack Beuttler Performed at Joe Goode Annex, Oct 17, 2014 in San Francisco</image:caption>
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      <image:title>Choreography - Left Heavy (2014)</image:title>
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      <image:title>Choreography - Dwelling (2012)</image:title>
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      <image:title>Choreography - Fluster (2010)</image:title>
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      <image:title>Choreography - Plot (2010)</image:title>
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  <url>
    <loc>http://www.geraldcasel.com/new-gallery</loc>
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    <lastmod>2014-08-30</lastmod>
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      <image:title>Dwelling | Santa Cruz Fringe - Dwelling at The Santa Cruz Fringe Festival, 2014</image:title>
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      <image:title>Dwelling | Santa Cruz Fringe - Dwelling at The Santa Cruz Fringe Festival, 2014</image:title>
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    <lastmod>2014-08-30</lastmod>
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      <image:title>Teaching 1 - Teaching</image:title>
      <image:caption>Gerald Casel is Assistant Professor of Dance at University of California, Santa Cruz where he teaches in the Theater Arts Department. Last year he was a faculty member at California State University, Long Beach where he taught Modern Technique, Pedagogy, Composition, Senior Seminar and created choreography for the Department of Dance. He was Visiting Assistant Professor of Dance at University of Wisconsin-Milwaukee 2011-2012 where he also continues to teach in the low-residency MFA program since 2008. In 2010-2011 he was a Professor of Contemporary Dance at Palucca Hochschule für Tanz Dresden and from 2005-2010 he was on faculty at NYU Tisch School of the Arts where he received the David Payne-Carter Award for Teaching Excellence. He is a frequent guest teacher for Sasha Waltz and Guests in Berlin as well as at ODC in San Francisco. Class Description An experiential laboratory for movement, this course provides strategies for dancers to expand their range and ease of motion to reveal their truest movement potential. Dancers will be encouraged to explore stability and freedom in their bodies by modulating use between the muscular and skeletal systems as they move on and off-balance. Consciously shaping the body’s intuition, students will be urged to seek and acknowledge their habitual patterns – transforming them into dancing that is articulate, expressive and charged with intention. The class addresses anatomical principles that are essential to any movement practice (i.e., imagery and use of muscles and bones, dynamic alignment, balance, strength and spatial clarity). Class begins with a thorough warm up consisting of gentle floor-work progressing to standing exercises. Movement phrases that travel across, in and out of the floor investigate flow and energy while paying attention to the dancer’s awareness of time, energy, focus and their relationship to gravity.  Class culminates with a dance phrase that integrates mind and body, harmoniously moving with a sound understanding of one’s anatomy. Gerald’s teaching blog</image:caption>
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      <image:title>Teaching 1 - Teaching</image:title>
      <image:caption>Gerald Casel is Assistant Professor of Dance at University of California, Santa Cruz where he teaches in the Theater Arts Department. Last year he was a faculty member at California State University, Long Beach where he taught Modern Technique, Pedagogy, Composition, Senior Seminar and created choreography for the Department of Dance. He was Visiting Assistant Professor of Dance at University of Wisconsin-Milwaukee 2011-2012 where he also continues to teach in the low-residency MFA program since 2008. In 2010-2011 he was a Professor of Contemporary Dance at Palucca Hochschule für Tanz Dresden and from 2005-2010 he was on faculty at NYU Tisch School of the Arts where he received the David Payne-Carter Award for Teaching Excellence. He is a frequent guest teacher for Sasha Waltz and Guests in Berlin as well as at ODC in San Francisco. Class Description An experiential laboratory for movement, this course provides strategies for dancers to expand their range and ease of motion to reveal their truest movement potential. Dancers will be encouraged to explore stability and freedom in their bodies by modulating use between the muscular and skeletal systems as they move on and off-balance. Consciously shaping the body’s intuition, students will be urged to seek and acknowledge their habitual patterns – transforming them into dancing that is articulate, expressive and charged with intention. The class addresses anatomical principles that are essential to any movement practice (i.e., imagery and use of muscles and bones, dynamic alignment, balance, strength and spatial clarity). Class begins with a thorough warm up consisting of gentle floor-work progressing to standing exercises. Movement phrases that travel across, in and out of the floor investigate flow and energy while paying attention to the dancer’s awareness of time, energy, focus and their relationship to gravity.  Class culminates with a dance phrase that integrates mind and body, harmoniously moving with a sound understanding of one’s anatomy. Gerald’s teaching blog</image:caption>
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    <lastmod>2014-08-30</lastmod>
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      <image:title>Fluster - Fluster</image:title>
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      <image:title>Fluster - Fluster</image:title>
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    <lastmod>2014-08-30</lastmod>
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      <image:title>Visiter</image:title>
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      <image:title>Cragg and Tail - Cragg and Tail</image:title>
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      <image:title>Cragg and Tail - Cragg and Tail</image:title>
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    <lastmod>2015-10-26</lastmod>
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      <image:title>Blog - Skykomish River</image:title>
      <image:caption>Image by Rhys Logan</image:caption>
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    <lastmod>2013-03-20</lastmod>
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      <image:title>Blog - Love These Dogs</image:title>
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    <lastmod>2013-03-14</lastmod>
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    <lastmod>2012-08-06</lastmod>
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  <url>
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    <lastmod>2025-04-15</lastmod>
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      <image:title>Artists</image:title>
      <image:caption>photo by Gerald Casel</image:caption>
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    <lastmod>2023-08-02</lastmod>
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    <lastmod>2020-04-04</lastmod>
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      <image:title>Contact</image:title>
      <image:caption>acrylic on paper by Gerald Casel</image:caption>
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  <url>
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    <lastmod>2023-08-02</lastmod>
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      <image:title>Press</image:title>
      <image:caption>photo by Ho Chang</image:caption>
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    <loc>http://www.geraldcasel.com/about</loc>
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    <lastmod>2025-04-15</lastmod>
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      <image:title>About</image:title>
      <image:caption>photo by Julie Wolterstorff</image:caption>
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  <url>
    <loc>http://www.geraldcasel.com/donate</loc>
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    <lastmod>2018-09-12</lastmod>
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      <image:title>Support</image:title>
      <image:caption>photo by Robbie Sweeny</image:caption>
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    <loc>http://www.geraldcasel.com/teaching</loc>
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    <lastmod>2025-04-15</lastmod>
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      <image:title>Teaching</image:title>
      <image:caption>drawing of Gerald's class by Suzanne Rosenblatt</image:caption>
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    <lastmod>2025-04-15</lastmod>
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      <image:title>Writing</image:title>
      <image:caption>Suzette Sagisi in Taglish. Photo by Margo Moritz.</image:caption>
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      <image:title>Writing</image:title>
      <image:caption>Lauren Simpson Dance in Dance Exhibit at Minnesota Street Project</image:caption>
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      <image:title>Writing</image:title>
      <image:caption>Gerald in Gerald + Keith. Photo by Robbie Sweeny.</image:caption>
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    <lastmod>2022-04-14</lastmod>
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      <image:title>Dancing Around Race</image:title>
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      <image:title>Dancing Around Race</image:title>
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      <image:title>Dancing Around Race</image:title>
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      <image:title>Dancing Around Race</image:title>
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      <image:title>Dancing Around Race</image:title>
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